David Byrne - Lead Us Not Into Temptation FLAC album
soundtrack for the scottish movie "young adam", music composed by david byrne.
Listen free to David Byrne – Lead Us Not Into Temptation (Body In A River, Mnemonic Discordance and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.
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Artist Album Song Title. Lead Us Not Into Temptation Album Cover Art. David Byrne.
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Lead Us Not into Temptation is an album by David Byrne, released in 2003 for the movie Young Adam, a film directed by David MacKenzie. All songs written by David Byrne except "Haitian Fight Song" by Charles Mingus. Body in a River" – 2:53. Mnemonic Discordance" – 2:43. Seaside Smokes" – 3:08. Locks & Barges" – 2:00. Haitian Fight Song" – 2:50. Sex on the Docks" – 4:25.
Band Name David Byrne. Album Name Lead Us Not Into Temptation. Data de aparición 2003. Labels Thrill Jockey Records. Estilo MusicalPost-punk. Miembros poseen este álbum1. Musique du film de David MacKenzie "Young Adam".
Movie soundtrack by David Byrne. Mnemonic Discordance. Haitian Fight Song (Charles Mingus). The Great Western Road. MusicBrainz: Lead Us Not Into Temptation.
Track 6, 11 and 13 do not appear on the vinyl issue Digipak packaging. Matrix, Runout: 2D012<1036 THRILL133 DADR. Mastering SID Code: IFPI L482. Mould SID Code: IFPI 8114. Other Versions (3 of 3) View All.
Listen to David Byrne Radio featuring songs from Lead Us Not Into Temptation free online. Слушать бесплатное интернет-радио, спорт, музыку, новости, разговорное и подкасты. События в прямом эфире, трансляции игр NFL, MLB, NBA, NHL, университетских команд и матчи Премьер-лиги. CNN, MSNBC, Fox News, ESPN, BBC, NPR.
One periodical stated that "Lead Us Not into Temptation" is David Byrne's best solo work to date. Though I don't think that's true to any stretch of the imagination, there is a lot of really good music on this disc. It is film music, but it is also film music that stands fine on it's own (in the same way that Peter Gabriel's "Passion" stands alone, though Gabriel re-worked a lot of that after the film's release). It's moody and dark in many places, and bizarrely upbeat in others.